During the competition phase, we collaborated remotely to refine the concept and test ideas through an evolving 3D model. Regular updates to the model allowed the team to make informed design decisions and present a proposal that closely reflected what would later be realised in the museum.

When the project moved into production, I developed two interactive installations and worked with Bright to ensure they performed reliably on the available hardware. One was a large touchscreen-based slideshow, and the other was controlled through physical buttons. Both were built to be easily updated by the museum staff.

In addition to the interactive components, I filmed and composited the looping time-lapse projection that forms the exhibition's “Window towards Voss.” The two clips — each a 20-minute seamless loop — show views of the valley outside the museum, with the idea that new seasonal versions can be added over time.

The combination of physical artefacts, interactive elements, and moving imagery has created an exhibition that feels both rooted and alive. It provides visitors with a holistic experience of Voss’s cultural spirit (Vosseånden), connecting information and emotion through sight, sound, touch, and storytelling. The project demonstrates how digital tools and traditional exhibition design can together create a flexible, future-oriented framework for cultural presentation.